Ireneo's wife does the laundry by the stream on the side of the road, January 2011 My father died 30 years ago 20 miles away from there, at the edge of the jungle. I took Lucas to the little cross on the road that commemorated my father's death right by the site of his foreman's house. The house of the foreman, Mr. Venancio, wasn't there anymore. But we found him. He now lives, where 30 years ago, except for one house, civilization ended. Now, over the hill, and across the stream there were about twenty homes. Lucas and I felt as if we were in Africa in the 1800's. It felt like we were approaching the edge of the world. Lucas felt so good, he wanted me to teach him Spanish, and when we were done with Spanish, Guarani. Guarani is the language that remains from the Native Americans; the peasants adopted it as their language. This makes Paraguay a bilingual country. |
My father on a cart pulled by oxen circa 1950 in Paraguay Back to the USA. |
Nothing just shapes easily from nothing into a finished entity, whatever it may be. BETWEEN LIFETIMES started out as a short script for a short film and has since evolved into a full feature length screenplay. This is its story.
Welcome to our story
I started writing BETWEEN LIFETIMES in 2006. My son Lucas would sleep behind me as I typed away. I based the child's character on Lucas. My intention was to complete the script quickly, so I could cast Lucas as that child. As the script grew, so did Lucas.
Flash forward. It's 2012. Lucas is at least half a foot taller than me. The story came into its own after more than a few re-writes, and now I find myself on a roller coaster ride of ups and downs in an attempt to bring BEWTWEEN LIFETIMES to the big screen.
Carrie Clark , Lauri Hakola, and I (Antonio Weiss) are preparing to go film in Paraguay south America, in the next few months. BETWEEN LIFETIMES has become EL RIO DE LAS VIDAS, as it was translated in Spanish to adapt it to the culture and languages of Paraguay (Spanish and Guarani)
Thursday, July 28, 2011
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